Wednesday, June 26, 2013

Field Trip LA! - Bezian bakery stall

A series of posts from visiting interesting little (and large) cafes, food-related establishments and other places of inspiration.

Next up, the baking bits of my LA trip. Starting off at the Wednesday Santa Monica farmers market which was just around the corner from our hotel, I sought out the Bezian Bakery sourdough bread stand. I had come across a few very enthusiastic articles on Bezian bread a little while ago as well as noting the wildly varied warnings and endorsements on Bezian's Yelp listing, and so I was interested to try the bread for myself and see what a sourdough that generates this much love and hate tastes like.


Like many people I'm resistant to evangelism (video of Jack explaining his opinions) and the harder someone tries to convince me of a particular message the more skeptical I feel I become. So I wasn't sure what to make of all the emphatic and underlined statements on placards around the stall such as "most people who have a wheat intolerance do well with our 'well bred' bread" and "Plant protein damages your intestines meaning the more you eat the sooner you're dead". What was clear is that Bezian is keenly dedicated to his cause and has a lot of information to share - he's there to talk to at the stall. Whether you agree with what he says is up to you.



I bought a plain sourdough boule and a multi-grain sourdough. The first thing I noticed was how soft the crust is for a sourdough, they are also all quite pale and none of the loaves had expanded much along the slashes in the oven. I'm guessing the lack of oven spring and paleness is a product of the very long fermentation that Bezian Bakery say they use in order to get the nutritional results they are after, and I'm guessing from the soft crust and colour that the oven temperature might be lower than most bakeries use. They were much easier to slice than other sourdoughs I've had (not so chewy - again possibly to do with the long fermentation breaking down the gluten more than other sourdoughs), and were markedly sour in taste and fragrance.


That evening we did a little taste test with the two Bezian sours and a french stick, and if I'm honest I found I do prefer a crustier loaf - though to be fair it does appear that his priority in making the bread is more about health as opposed to taste. It did also occur to me that my conflicted feelings about the various messages behind the bread may have spoiled my chances of enjoying it with a clear head!

I packed up the rest of the loaves to try them again back in Japan but unfortunately they went moldy quickly in the Tokyo humidity and so we didn't get a second try. Hopefully we'll get another chance to try his breads and work out how we feel about it all a bit more fully.

Apparently it's possible that Bezian Bakery will lose their spot at the Santa Monica market shortly, but with such an enthusiastic following I'm sure there will continue to be a way to get his bread.

Saturday, June 22, 2013

Field Trip LA! - The Museum of Jurassic Technology

A series of posts from visiting interesting little (and large) cafes, food-related establishments and other places of inspiration.

Following on from the post about the hotel we stayed at, another place that felt like it was from a different time and place was a museum not too far away from Santa Monica in Culver City - The Museum of Jurassic Technology. A tip-off from a learned friend, I'll admit my first thought was along the lines of 'Dinosaurs didn't have technology..' but trusting my friend would know better, and after a skim of their abstruse and intriguing website, I decided it must be worth a visit. I'm so glad I went.


Spotted from across the street after a little hunting near a park with those beautiful purple flowering trees I saw everywhere in LA, we thought it must be closed. No windows, no lights or signs flashing "open", just a fountain and a big heavy door. We pushed... and stepped into the darkness. Eyes adjusting from the bright Californian sun outside (what theatre!) we discerned the reception desk and confessed to not knowing much about where we were.

Having a hungry, not-yet 1 year old infant in tow, we were kindly directed to the "tea room and courtyard" at the top of the building. Navigating a dark pathway past mysterious exhibits in glass cabinets, paintings and projections, we emerged at the top of the building, again into brightness, into a magical roof garden of cornices and ferns, doves, a reflecting pool, lamps and flowers.

Rooftop hanging garden

Sunlight streamed into the Persian style garden around banners of white fabric as one person was reading quietly and another was playing a nyckelharpa.



As with the garden, with the baby now fed we discovered that the rest of the museum is an evident labour of love. Founded in 1988 by David (the above nyckelharpist, we later learned!) and Diana Wilson and evolving since, it felt like a strange mix of science, art, literature and superstition. There is an exhibit on the Soviet dogs who were sent into space, along with an interactive sniffable Proust vitrine, a couple of rooms about cat's cradles and instruction on how to tell the temper of a person from a strand of their hair.

The slideshow at the entrance (which we listened to last, of course) reminds us that "in its original sense, the term, "museum" meant "a spot dedicated to the Muses, a place where man's mind could attain a mood of aloofness above everyday affairs." This is a museum that encourages engaged wonder and skepticism, even about the business of being a museum itself, as opposed to a more passive reception of dogma. It won't tell you what to think - the only things you are told explicitly are where you can enjoy the refreshments provided, and not to take photos (the moment I realised this I put away my camera!).

Wholly civilised guidance

Many exhibits were participatory with buttons to press and moving parts, projections that started up at intervals, their sound layering, and lots of bending forward to look into viewing screens or microscopes. One simple presentation choice I particularly liked was the listening stations. These were a couple of black corded phone receivers hung next to various exhibits in the dimness. When you put one to your ear to listen to more about a display, it became an intimate experience that felt like listening to a person speaking directly to you. The voice was hushed, calmly but keenly relating information like a speech-based radio presenter. Quite a different experience to the usual one of walking around a white cube gallery with an ear piece.

Coming through this museum in the 'proper' way then, via a long trail of discovery through the labyrinthine exhibition rooms, reaching the dazzling garden on the roof must feel particularly transcendent. I imagine that each visitor will come away with an experience unique to them and will form their own narrative about the museum, and this was mine. For a more detailed take, have a look at this post or try this frustratedly baffled article ("The exhibit is untitled. There is no explanatory text.") from the LA Times. :)

I look forward to returning, to delight in more of the curiosities it holds and to be “guided along, as it were, a chain of flowers into the mysteries of life” (Charles Willson Peale, from the museum's introduction and background)


Friday, June 21, 2013

Field Trip LA! - The Georgian Hotel

A series of posts from visiting interesting little (and large) cafes, food-related establishments and other places of inspiration.

This month we visited Los Angeles, a first for me. It's always invigorating being away from home and noticing things freshly as only visitors tend to do. I'm planning to write a couple of posts based on things I came across during the trip including a wonderful farmers market, two or three bakeries, cafes and some musings from visiting a couple of special spaces - which is where we'll start.


When not staying with friends in Riverside, our base was in Santa Monica. We chose to stay at The Georgian Hotel, uniquely done up in aquamarine paint and deck-chair striped awnings and just across the road from the beach. I couldn't quite be sure from photographs online whether it would work or be gaudily hideous but the effect was quite elegant in real life.


I loved even the more kitschy flourishes like the saber-tooth tiger head mouldings above the entrance, with gold teeth. I later read that the said beasts roamed the plains of what became Southern California 10,000-40,000 years ago and enjoyed the decorations more.

Check out those gnashers!
The Georgian is a short walk from a big shopping street called 3rd Street Promenade, which we wandered along on our first evening somewhat dazed from the long flight just as it was in full Saturday night swing with buskers every few metres. Wednesday and Saturday mornings an amazing farmers market opens also nearby, and it's also a short walk to the pier with its rides and restaurants.


The hotel was built in the 1930's before Santa Monica was very developed and served as a bit of a hideaway from Hollywood attracting the likes of Clark Gable and Carol Lombard. According to the notice near the lift, the property was refurbished in the 1960's as a set of upscale long-term apartments, and more recently returned to life as a hotel in 2000.


Not that the notice near the lift or the hotel information book (which I devour eagerly upon closing the door for the first time and flopping onto the bed at any hotel I stay, I'm not very classy) tells you, but there is a real prohibition-era speakeasy under the hotel! Well, it's not an operational bar any more, but it still looks the part with all the leather booths and someone can take you down to see it if you ask nicely.


AND, as if that isn't enough, the speakeasy is "haunted." :) We didn't witness any visitations during our quick peek, but the dim lights and slightly damp smell juxtaposed with a somewhat of a threadbare boardroom vibe made for an unusual atmosphere. :) I wonder what it would be like with music and people down there for a party?


Away from the speakeasy, through the low basement corridor and back upstairs then you're at the lobby and the entrance-way which is surrounded by a veranda restaurant where you can look across to the sea and enjoy the sunset with a cocktail (they have a prohibition cocktail menu - I liked the French 75). Nice place to be.

Sunday, June 2, 2013

Fibonacci cake, a golden ratio Battenberg. Challenge accepted!

While honing my Battenberg neatening skills recently, my partner declared that I *must* turn the Battenberg into a golden ratio cake. Indeed, a Battenberg isn't quite fiddly enough ;)


The Fibonacci sequence is where each number is the sum of the previous two numbers, that is: 0, 1, 1, 2, 3, 5, 8, 13, 21, 34, 55 and so on. Examples of the golden spiral are found in nature and can be incredibly beautiful.

To quote a particularly alliterative Melvyn Bragg from his In Our Time programme on the topic
"The Fibonacci sequence is found to appear time and time again among the structures of the natural world, and even in the products of human culture. From the parthenon to pine cones, from the petals on a sunflower to the paintings of Leonardo da Vinci, the sequence appears to be written into the world around us".

Tasty maths!

There are quite a few cakes online that depict the famous Fibonacci sequence, and it’s quite interesting to see how different people have approached it. There is also this cute Mondrian cake which looks a little like a Battenberg variation, and this pretty amazing Rubik's Battenberg but I’ve yet to find a Fibonacci Battenberg exactly. Hmm would it be a Battenacci, or a Fibonberg..?


I decided I wanted it to be recognisable first and foremost as a Battenberg, and that part of the fun would be revealing the inherent mathematical layer of beauty of the thing through the decoration. 5cm square cross-section is about as big as my cake tins could take me, and it works out nicely as a slightly diminutive slice of Battenberg, where 8cm would start to become a bit of a monster cake. With an inability to work with infinitely smaller planks of cake that the making of a true golden spiral might require, I decided to start with 1cm square units and work up from there.

All right then, are we ready?



Fibonacci Battenberg recipe - yields 2 cakes

Equipment you’ll need:
  • A cake cutter, and/or long knife
  • A clean ruler or tape measure
  • Cocktail sticks/skewers to mark the cake
  • 1 or 2 20cm square cake tins that are at least 5cm deep
  • Rolling pin
  • Pastry brush
  • Baking parchment and plastic wrap
  • About 3 hours..
  • A maths nerd to present the cakes to

Trusty equipment and colouring. I used pink gel, but a little red also works

Ingredients for the taller yellow sponge:
  • 350g very soft butter
  • 350g caster sugar
  • 330g flour
  • 20g/5tsp baking powder
  • 0.5tsp salt
  • 6 eggs
  • 0.5 tsp vanilla extract

Ingredients for the pink sponge:
  • 175g very soft butter
  • 175g caster sugar
  • 165g flour
  • 10g/2.5tsp baking powder
  • 0.25 tsp salt
  • 3 eggs
  • 0.5 tsp vanilla extract
  • 0.5 tsp almond extract
  • A little red or pink food colouring

Additional ingredients:

The yellow sponge will come right up to the top of the tin when baked

Method:
  1. Grease and line the cake tin(s) with baking parchment. Preheat the oven to 160°C.
  2. Make the yellow sponge. - Sift the yellow sponge's amount of flour, baking powder and salt into a very large bowl and mix well.
  3. Add the soft butter, sugar, vanilla essence and eggs all into the same bowl and whisk together until just combined. (If you're using a stand mixer however, it's best to sift the dry ingredients on top of the wet ingredients to avoid a layer of flour at the bottom of the mix. Mix on the lowest speed.)
  4. Scrape the mixture into a prepared tin, spreading to the corners and bake for about 1 hour, reducing temperature part way if it browns quickly.
  5. Repeat steps 2-4 for with the pink sponge ingredients and bake for 25-30 minutes. (If you're reusing the same tin, cool it down with some cold water before using it again.)
  6. While the sponges are baking, make the marzipan if you're making your own. 
  7. With the two squares of sponge out of their tins and completely cool, cut off the browned tops of the cake and any sloping edge pieces. You want your yellow cake to be 5cm high, and the pink cake to be 3cm high. (Tip – if this is tricky, then chill or partially freeze the sponge and it will be easier to cut straight lines. Also, save the cuttings to crumble up with frosting to make cake pops.)
  8. Use a toothpick to make indents at the top and bottom edge of the sponge to mark out the following long rectangular blocks and cut them carefully from the main block. 
    • From your yellow sponge: cut two 5cm-wide strips, creating planks of sponge that are 5cm square in cross-section. Also cut 2, 2cm square planks and 2, 1cm square delicate strips. When maneuvering the delicate strips, guard against breakage by rolling them sideways onto something like a long blade rather than picking them up by their ends.
    • From your pink sponge: cut 2, 3cm square planks and 2, 1cm square delicate strips. 

Being a bit punctilious helps ;)

The order I used to stack the cake (you'll be doing it with jam)

Assemble the cake:
  1. Roll out the marzipan to at least 25cm x 30cm. If it’s sticky, roll it between two sheets of plastic wrap, peeling the top layer off when you’re ready to wrap the cake. 
  2. Heat the jam and paint sides of all the sponge strips, glueing them together with the jam as you stack them into a golden ratio rectangle (see the order I used above, but use what works for you). It will be slightly less sticky if you avoid painting the outside faces of the planks until you’re ready to wrap the thing, but it’s not a terrible problem if you paint a side too early as they will all need jamming up in the end. Working on baking parchment will also make it easier to move it to the marzipan later.
  3. Position the whole sticky block of planks onto the center of the marzipan, upside down - you want the marzipan seam to end up on the bottom.
  4. Paint the top with lots of jam and fold up the sides of the marzipan up to make a join on the top. Trim any large excess and smooth over the join.

Roll out about a 25cm x 30cm sheet of marzipan

Ooh yeah! We're jammin', jammin' (Sorry ;) )

Use the plastic wrap to help if your marzipan is at all thin or sticky

  1. To finish, turn the cake the right way up and give the marzipan a final squeeze to make sure it’s all nicely stuck to the jam. With a sharp knife, cut off a thin slice from each end of the log to reveal a neat presentation of the cross-section form each end. 
  2. Decorate the marzipan if you wish, by making indentations with a fork, pinching the edges to make a ruffle and/or demarcating portion sizes on top. Sprinkle with icing sugar if you like.
  3. Present slices of your masterpiece with mathematically almost-accurate golden ratio swirls of melted chocolate, jam, whipped cream, a rope of marzipan or something else that takes your fancy. Or even better, provide the tools to let your guest create the beautiful spiral themselves.

Otsukaresama deshita :)





Battenberg recipes referenced
http://www.bbcgoodfood.com/recipes/1120657/battenberg-cake
http://www.bbc.co.uk/food/recipes/battenburg_cake_60878

--
Options:

- I chose to use an all-in-one mixing method rather than creaming the butter and sugar together first, as it should result in a flatter top and it’s quicker so will save a little time in this fiddly project.

- Another time saver would be to mix up all 9-eggs worth of batter in a large stand mixer and estimate 2 thirds of it for the yellow sponge before colouring the remainder.

- A final option would be to make just one fibonacci cake by making up just one 6-egg batch of sponge, and dividing your baking tin in two with a folded piece of parchment (see here for how) and being very careful when you’re pouring in the batter. Pour half in one side of the tin, then colour the remaining half and pour it in the other half. You'd just need one of each 'plank' size in that case. This is a bit fiddly, and since Battenberg freezes well I decided to make it a bit easier on myself and just made two.

A mathematically inelegant remainder...

Make your own Marzipan

This is a cooked marzipan recipe that contains eggs, as British home baking marzipan recipes tend to. It yields over 900g which should be enough for wrapping two 20cm long Battenberg cakes, and certainly enough to cover a 20cm round fruitcake. Marzipan keeps quite well wrapped in plastic in the fridge for two weeks, and if you are drying it out on top of a christmas cake it will keep longer, 1-2 months.

See here for tips on how to get ready-made marzipan in Japan, links to alternative cooked/raw, eggs/no eggs, alternative nuts marzipan recipes and comparative taste testing excitement!

Ingredients
  • 450g ground almonds (and possibly a little more)
  • 200g icing sugar
  • 200g caster sugar
  • 3 eggs
  • 0.5 tsp almond extract
  • 1 tsp lemon juice
  • 1 tsp brandy
Method
  1. Mix sugars together and add the eggs.
  2. Set the bowl over a pan of gently simmering water ensuring the bottom of the bowl doesn't touch the water. Whisk the egg mixture continually until the temperature reaches at least 60°C and is maintained for over 3 and a half minutes. (This should take about 12 minutes in total.)
  3. Remove the bowl from the heat and cool by standing the base in cold water or resting on a cool pack while whisking in the lemon juice, brandy and almond extract.
  4. When the mixture is cool stir in the ground almonds and knead briefly to bring it together. Depending how big your eggs were you may need to add more ground almonds to make a firm mixture, however it will also firm up a little on chilling. Divide into required portion sizes, wrap in plastic and chill until needed.



Marzipan recipe adapted from:
http://www.deliaonline.com/recipes/type-of-dish/party-food/accompaniment/almond-icing-marzipan.html

Thursday, May 30, 2013

British Antiques in Japan – so that’s where the Irish pubs get their bric-a-brac!

Following up on my recent visit to Victorian Craft, the British Antique imports shop and Irish pub (etc.) designing business in Matsumoto, I've continued research into options for furnishing my space.

It turns out that there are quite a few of these British and European specialty antique businesses in Japan, some of which have show rooms you can visit and many of which also let you shop online.

Here are some of those that I've found.
  • http://www.victoriancraft.com/ The amazing show room complex I visited recently in Matsumoto, Nagano. They also do a space planning service, having helped with Royal Scotsman and many Irish bars, cafe spaces and hair salons. (The original perhaps perfect but prohibitively expensive armchair price around 218,000 JPY)

  • http://www.winchester.jp/ British antiques (and Mini Cooper cars/car parts) business based in Wakayama and Nara. They also have a Doll's House online shop.. (Armchair price around 119,000 JPY, not directly comparable style)

  • http://www.globe-antiques.com/shopinfo/ Ikejiri shop and cafe space in Tokyo, online shop and business planning service. Check out their planning section for a nice gallery of shops they've designed. (Armchair prices around 189,000 JPY)

  • http://shop.globe-antiques.com/ Appears to be related to the above site, but the list of items is different, and so I've included it here. (No armchair to compare price)

  • http://www.rafuju.jp/ Not only British antiques, apparently a huge stock of items. Based in Ibaraki-ken. (My head hurt trying to find an armchair to compare price. Not exactly comparable styles, but different styles around 20,000-74,000 JPY)

  • http://www.british-life.jp/ Tochigi-ken based British antique business with online shop. Appears to focus on tables and cabinets. (Armchair price around 105,000 JPY)

  • http://www.antique-flandre.com/ Nagoya-based European antique store with slightly scary fonts on their site and photos of an insane amount of stock. Focus on British, French, Dutch and Belgian furniture. Comparatively competitive prices. (Armchair price around 158,000 JPY)

  • http://www.euro-market.jp/ The new 'old fashion style' furniture part of the above business, items work out cheaper than the original antiques. (Armchair price around 96,000 JPY)

  • www.robin-fb.co.jp Emphasis on the pretty-pretty, wrought iron garden bits and bobs, ceramics and picture frames. Feels like it is aimed at domestic consumers rather than businesses. Retail premises in Nagano and online store. (Small armchair price around 47,000 JPY, not comparable style)

  • http://www.chelsea-old.com/ Beautiful photos of stock on this site. I want all the things! Gifu-based business with a shop and online store. Again, this business feels as though it is targeting individuals rather than commercial customers. (No armchair to compare price, however items on this site are comparatively expensive..)

  • http://www.flex-antiques.com/ A "highgrade" (sic) site, with ladies and little girls posing like princesses in some of the photos. Comparatively cheap pricing, and again lots of stock to rifle through. (Armchair price around 97,000 JPY)

  • http://www.sokkuriichiba.com/ The 'new antiques' part of the above business. (Hideous photoshop warning!) Also, some of the furniture is in amusingly poor taste. Can I say that? Eeek. (Armchair price around 96,000 JPY)

  • http://www.shellys.net/ Fukuoka based shop, online shop and Facebook page. Appears to be a labour of love, with a "photographs of England" section of the site with pics of phone boxes, pub lunches and corner shops :) (Armchair prices around 98,000 - 198,000 JPY)

  • http://handle-marche.com/ Fukui-ken business established 1903 selling French and British antique furniture and light fittings. Special focus on leather wingback chairs (Armchair price around 212,000 JPY)

As you can see, prices are generally quite a bit higher than the equivalent you’d expect to pay in the UK. The Chesterfield style leather wingback chair examples seem to cost between 100,000 - 218,000 JPY which is about 600 - 1,400 GBP and you can find comparable items in the UK starting from about 200 GBP. One would expect to pay more for the same thing in Japan since the Japanese businesses have to factor in importing the items, and also probably due to their rare and exotic nature being sold so far away from home. A bit like how some Muji items are 3 times the price they are in Japan.

I’m currently investigating the logistics and cost involved in another option - having a bit of a used furniture spree back home and shipping them to Japan myself. From what I gather, it’s possible to pay for the use of part of a shipping container.

It isn't immediately encouraging that all the shipping/overseas moving companies I've contacted so far have either not replied, or have stopped responding to my mails after I give them an idea of what I’d be looking to ship – perhaps it’s not enough stuff to make it worthwhile for them. Or perhaps they know that the cost would be too high for me and they are giving up on my behalf. I’ll keep trying however, and report back if I find anything interesting out.


Wednesday, May 22, 2013

Lip-smacking sourdough onion rings recipe, excellent use of pour-off

The other week I was browsing around old posts on one of my favourite food thoughts sites, Joe Pastry, and found an idea that was a bit of an epiphany. Sourdough onion rings! In fact, sourdough batter fried anything! (Apple fritters, anyone? Must, must try. Perhaps even Bramley apple fritters? hmm...)


If I’m not baking sourdough bread every weekend my starter gets a bit neglected and not in the best of spirits. It’s not much of a problem as it is nicely revived after a couple of feeds but I prefer keeping it fairly active and healthy, with the idea it might help it ward off mold and off-notes. The main problem is the pour-off. I hate wasting starter and worry about the effect on plumbing even if the pour-off is thoroughly diluted and chucked down the loo instead of the kitchen sink. Pancakes are well and good, as are waffles made with sourdough batter, but it’s good to have a bit more choice.


Looking around, regular onion ring recipes often include eggs in the batter. Some use them simply mixed in with flour and others have the yolks mixed in first and the whites whipped to stiff peaks before folding into the batter, yet more batters use beer.

Sourdough starter has a couple of good things going for it as use as a batter aside from the fact you may have been about to throw it out anyway – the processes of the yeast and bacteria thriving in the starter produce lactic and acetic acids and alcohol and so there is a wonderful vinegary tang already in the batter, before, as any self-respecting Brit would, the fried product is liberally doused with vinegar at the table. I would go as far as to say that depending how sour your starter is when you poured off the portion to use for this recipe, you might not even need additional vinegar at all... just sayin'.

Comparing a few sourdough onion ring recipes and attendant photos, it seems the key to having a nice thick bubble of airy batter around your ring, that adheres properly to the onion at all stages of preparation and eating, is twofold – dredge the raw rings in flour before dipping in the batter and have your oil hot enough for frying. Most recipes state the oil should be at least 175°C (340°F), and I've also seen 190°C (370°F) recommended.

Don't crowd the pan

Very excited to try this out, I sourced a little tempura pan at a local supermarket. It was about 1,800 yen (just over 10 quid), simple design with a cute rack for the temporary resting of fried goods. Of course you can use any deep fat fryer you might have, indeed the electric ones are also much safer than these old fashioned pan-of-boiling-oil setups.



Recipe for sourdough onion rings
  • About 240ml (1cup) of cold sourdough starer
  • About 60ml (quarter of a cup) of cold sparkling water
  • About 60g (half a cup) of flour
  • A large onion
  • Oil for frying (canola, etc)
  • Salt and pepper
  • Any exciting seasonings you want to add such as paprika, garlic salt, chilli flakes etc.
All measurements approximate, adjust depending on how thick and sour your starter is. You want a consistency thick enough to cling to the onion, similar to pancake batter. Starting with a cup of sourdough starter gave me enough batter for a bit more than just 1 large onion. Original recipes referenced include the Joe Pastry example and this from La Brea Bakery's Nancy Silverton.

Method:
  1. Slice your onion as thick/thin as you'd like, my slices are about 1 cm thick and I separated out the rings so they had about 2 layers each. I left the smaller center rings intact as little solid discs.
  2. Put the rings into a shallow dish of seasoned flour, turning them over to have the flour stick to the juicy bits of the sliced onion.
  3. Mix your starter with the sparkling water in a smallish bowl along with any seasoning you want to use. I've seen recommendations to rest the small bowl inside a larger bowl that contains ice water/rest a metal bowl on a frozen gel pack, or like when you make tempura you could put a couple of ice cubes directly into the batter to keep it cold. The idea is that cold batter helps to create a crispy fry. I used the 'bowl over an ice water bath' method for these rings but I think you’d also probably get quite good results by using cold ingredients fairly quickly.
  4. With your oil between 175 – 190°C (340-370°F. Use an infrared thermometer to be sure, or test the oil. The oil won’t be bubbling until the food is introduced), reduce the heat if necessary to avoid going too hot and take a slice of onion from the flour, drop it in the starter mix and turn to coat if necessary. Lower them one by one into the hot oil carefully using cooking chopsticks or tongs. 
  5. Use a metal strainer or slotted spoon to turn the rings over and fry for about 3 minutes or until they are slightly golden. Note that the temperature of the oil will drop temporarily each time you add something, so take care to do just a few at a time and keep your oil in the frying range or your rings will be greasy.
  6. Remove with the strainer or slotted spoon and transfer to kitchen paper to drain briefly. Salt to taste.


Keep finished rings warm and crispy in an oven at 100°C while you finish off the batch. Apparently you can freeze them and reheat them in the oven, but we didn't leave any to test this theory.

For people reading this who don’t currently own a sourdough starter, here is a non-sourdough onion ring recipe to try.

A couple of additional points I feel duty bound to relate. I was a tad nervous about having boiling oil in my kitchen. I made sure the work area was clear, the cats were not around me, I checked the amount of oil recommended to use for the size pan I have and used no more to avoid spillage. I also used an infrared instant read thermometer to check that the oil wasn't getting too hot. Smoke points and flash points for oils vary. The generic サラダ油 salad oil (usually a mix of canola and soybean oil) is most frequently used for deep frying here in Japan and has a flash point of 360°C (680°F). 天ぷら油 tempura oil is usually a mix of sunflower and sesame oils and is listed on this site as igniting from around 360 – 380°C (680-716°F). Both of these are somewhat far from the up to 190°C (370°F) I was aiming to maintain, but drips of oil falling onto the flames can cause fires even when the main body of oil in the pan is at a safe temperature.

So point number one: be safe, use a thermostatically controlled electric fryer if possible, and check how much oil your pan permits for safe use (usually no more than a third full). Don’t over-heat the oil causing it to smoke, and if it starts to smoke, then stop and turn off the heat before it sets alight. Never throw water on boiling oil and don’t try to move a pan that is on fire. Old advice about damp tea-towels is no longer recommended in the UK, the official recommendation of the fire service in the event of a pan on fire is to turn the heat source off if it is safe to do so, then get out and stay out and call emergency services.

Electric deep fryers are available in Japan, but many people still use the traditional type of tempura pan I used, and hence the most common cause of kitchen fires in Japan is from cooking tempura. The official line on kitchen fires from many ward offices is still to use a wet towel to extinguish a fire, and there are things such as this fire extinguishing flower that you throw into the pot, other advice recommends using a lid to try to extinguish a fire. Though I hope you'll never need it, the fire service number in Japan is 119. Some useful info here on the US embassy's site about calling emergency services in Japan.

Secondly: be a mensch, don’t pour the used oil down the drain. The oil will solidify and can block drains and sewage pipes. In Tokyo we are advised by our ward office to let the oil cool and pour it into a container such as an old milk carton that has scrunched up newspaper or fabric inside it, then tape the carton shut and put it in with your burnable rubbish. You can also get an oil coagulant which allows you to put the oil in solid chunks straight into the burnable rubbish.

You can use your oil a few times for frying, particularly if you strain it each time. But the oil will eventually become rancid with use and exposure to air. (Though apparently, the frequently retold rumour that repeated use of cooking oil produces of trans fats is untrue as long as the oil was not partially hydrogenated to start with. If you want to check the Japanese label of your oil, partially hydrogenated in Japanese is 部分水素化 bubun suisoka).

I've read on Japanese forums discussing tempura that using oil 3-4 times is a pretty good rule of thumb, but it depends on what you fry. If the oil becomes dark and starts to smell bad then it’s certainly time to throw it away.

Phew I had no idea when I started this post that it would turn into such a mammoth investigation of frying! Goodness me. Enjoy!